Contemporary Still Life & Landscape Art for the Modern Collector
Limited Edition Prints by Rebecca Carr
Rebecca Carr’s limited edition prints invite a moment of calm into the everyday. Blending sculptural still life compositions with soft, natural palettes, and serene abstracted landscapes, her work brings a quiet energy into any interior.
Known for her use of calming colours, clean contemporary lines, and uplifting forms, Rebecca creates pieces that feel both timeless and deeply modern. These prints are perfect for collectors, stylists, and anyone looking to bring a thoughtful, peaceful presence into their space.
Soft Stillness, Modern Simplicity
Rebecca’s still life series reimagines traditional motifs—vessels, fruit, foliage—through a modern lens. Each composition is carefully balanced, with a sculptural quality and harmonious tone that offers clarity and comfort.
Paired with gentle contrasts and subtle juxtapositions, these pieces create a quiet sense of joy. Designed to elevate both minimalist and curated interiors, they sit beautifully in living rooms, bedrooms, and creative spaces alike.
Landscapes of Light and Air
The landscape collection captures the essence of place, rather than precise detail. Using soft layers, atmospheric gradients, and abstracted forms, these prints offer space to breathe—both visually and emotionally.
Each work is a reflection of stillness in nature, inspired by wide skies, open coastlines, and the calming rhythm of the natural world
Why Collect a Limited Edition Print?
All Rebecca Carr prints are produced in small limited editions, carefully printed on archival fine art paper, and hand-signed and numbered. These editions offer a more accessible entry point into contemporary art collecting—without sacrificing uniqueness or quality.
Whether you’re seeking a statement piece or building a gallery wall, Rebecca’s prints bring light, calm, and sculptural beauty to any space.
✨ Now available exclusively at rebeccacarrart.com
Explore the full collection and bring home a piece of quiet joy.
